Rajhans D. Profile | Freelancer

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$3 USD / hora

Bandera de INDIA

bangalore,

$3 USD / hora

Aquí son las 2:57 p. m.

Se unió el mayo 10, 2017

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Rajhans D.

@dewanganrajhans

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$3 USD / hora

Bandera de INDIA

bangalore,

$3 USD / hora

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3D Artist

Experienced in Modeling and Texturing for Games, VFX and Product Design. I mostly use Maya for Modeling and follow PBR texturing technique and use Substance Painter for texturing.

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Contacta Rajhans D. sobre tu trabajo

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Portafolio

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

100% Procedural Material

Fully Procedural Material designed using Substance Designer.
You can see the Node graph in below image and as well as the breakdown of the Material.

Ground Old Tiles | Material Design | Substance Designer

100% Procedural Material

Fully Procedural Material designed using Substance Designer.
You can see the Node graph in below image and as well as the breakdown of the Material.

Ground Old Tiles | Material Design | Substance Designer

100% Procedural Material

Fully Procedural Material designed using Substance Designer.
You can see the Node graph in below image and as well as the breakdown of the Material.

Ground Old Tiles | Material Design | Substance Designer

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Leica 250 FF reporter camera was first used by the news reporters in 1934.
Uploaded some screenshots in different lighting conditions.

Modeling in Maya and texturing in Substance Painter and used 4K Texture sets for High Details.

Look dev video link
https://vimeo.com/331862708

Leica 250 FF Reporter and Diary Look Dev | Maya

Leica 250 FF reporter camera was first used by the news reporters in 1934.
Uploaded some screenshots in different lighting conditions.

Modeling in Maya and texturing in Substance Painter and used 4K Texture sets for High Details.

Look dev video link
https://vimeo.com/331862708

Leica 250 FF Reporter and Diary Look Dev | Maya

Leica 250 FF reporter camera was first used by the news reporters in 1934.
Uploaded some screenshots in different lighting conditions.

Modeling in Maya and texturing in Substance Painter and used 4K Texture sets for High Details.

Look dev video link
https://vimeo.com/331862708

Leica 250 FF Reporter and Diary Look Dev | Maya

Leica 250 FF reporter camera was first used by the news reporters in 1934.
Uploaded some screenshots in different lighting conditions.

Modeling in Maya and texturing in Substance Painter and used 4K Texture sets for High Details.

Look dev video link
https://vimeo.com/331862708

Leica 250 FF Reporter and Diary Look Dev | Maya

High Poly Model, 2K texture sets
Modeling done in 3ds Max and then unwrapping in same.
For texturing Substance Painter and stencils in Photoshop.
Finally rendering done in Blender and Marmoset Toolbag.

Link to the Video given below
https://www.youtube.com/watch?v=Y48aAlaNcw0

Multimeter | 3DS Max | Substance Painter

High Poly Model, 2K texture sets
Modeling done in 3ds Max and then unwrapping in same.
For texturing Substance Painter and stencils in Photoshop.
Finally rendering done in Blender and Marmoset Toolbag.

Link to the Video given below
https://www.youtube.com/watch?v=Y48aAlaNcw0

Multimeter | 3DS Max | Substance Painter

High Poly Model, 2K texture sets
Modeling done in 3ds Max and then unwrapping in same.
For texturing Substance Painter and stencils in Photoshop.
Finally rendering done in Blender and Marmoset Toolbag.

Link to the Video given below
https://www.youtube.com/watch?v=Y48aAlaNcw0

Multimeter | 3DS Max | Substance Painter

Mission Crossbow Sub - 1
Modeling done in Maya and Texturing done in Keyshot and decals were created using Photoshop.

Mission Crossbow SUB - 1 | Maya | Keyshot

Mission Crossbow Sub - 1
Modeling done in Maya and Texturing done in Keyshot and decals were created using Photoshop.

Mission Crossbow SUB - 1 | Maya | Keyshot

Mission Crossbow Sub - 1
Modeling done in Maya and Texturing done in Keyshot and decals were created using Photoshop.

Mission Crossbow SUB - 1 | Maya | Keyshot

Mission Crossbow Sub - 1
Modeling done in Maya and Texturing done in Keyshot and decals were created using Photoshop.

Mission Crossbow SUB - 1 | Maya | Keyshot

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

Day and Night Cycle
Pretty much the procedure was same as I did the Titanfall 2 Interior Scene.
However I encountered some different problems since that was SciFi scene and this being a more natural environment.
I learned lot of new things working in this project such as Subsurface Scattering, glass shader, dealing with certain types of materials, learned basics of material creation in Unreal Engine etc. I learned how to make use of single texture sets and then make different versions of materials from the same texture sets. Basically learned lot of small stuff.
Finally Prepared the scene for Night. It took some time to lit up the environment for the night but learned a lot, It was worth the time and effort.

Video Links
Day Scene
https://www.youtube.com/watch?v=ikRku2EeaWQ&t=2s
Night Scene
https://www.youtube.com/watch?v=bwi-Ksdfmn8&t=2s

Uncharted 4 Madagascar Market Scene | Environment Design

100% Procedural Material

Fully Procedural Material designed using Substance Designer.
You can see the Node graph in below image and as well as the breakdown of the Material.

Ground Old Tiles | Material Design | Substance Designer

100% Procedural Material

Fully Procedural Material designed using Substance Designer.
You can see the Node graph in below image and as well as the breakdown of the Material.

Ground Old Tiles | Material Design | Substance Designer

100% Procedural Material

Fully Procedural Material designed using Substance Designer.
You can see the Node graph in below image and as well as the breakdown of the Material.

Ground Old Tiles | Material Design | Substance Designer

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Honda Generator modeling done in 3DS Max.
Texturing of the new model done in Keyshot and Old model done in Substance Painter.

Video Link is given below
https://vimeo.com/332950981

Honda Generator (New & Old) | 3DS Max | Substance Painter

Leica 250 FF reporter camera was first used by the news reporters in 1934.
Uploaded some screenshots in different lighting conditions.

Modeling in Maya and texturing in Substance Painter and used 4K Texture sets for High Details.

Look dev video link
https://vimeo.com/331862708

Leica 250 FF Reporter and Diary Look Dev | Maya

Leica 250 FF reporter camera was first used by the news reporters in 1934.
Uploaded some screenshots in different lighting conditions.

Modeling in Maya and texturing in Substance Painter and used 4K Texture sets for High Details.

Look dev video link
https://vimeo.com/331862708

Leica 250 FF Reporter and Diary Look Dev | Maya

Leica 250 FF reporter camera was first used by the news reporters in 1934.
Uploaded some screenshots in different lighting conditions.

Modeling in Maya and texturing in Substance Painter and used 4K Texture sets for High Details.

Look dev video link
https://vimeo.com/331862708

Leica 250 FF Reporter and Diary Look Dev | Maya

Leica 250 FF reporter camera was first used by the news reporters in 1934.
Uploaded some screenshots in different lighting conditions.

Modeling in Maya and texturing in Substance Painter and used 4K Texture sets for High Details.

Look dev video link
https://vimeo.com/331862708

Leica 250 FF Reporter and Diary Look Dev | Maya

High Poly Model, 2K texture sets
Modeling done in 3ds Max and then unwrapping in same.
For texturing Substance Painter and stencils in Photoshop.
Finally rendering done in Blender and Marmoset Toolbag.

Link to the Video given below
https://www.youtube.com/watch?v=Y48aAlaNcw0

Multimeter | 3DS Max | Substance Painter

High Poly Model, 2K texture sets
Modeling done in 3ds Max and then unwrapping in same.
For texturing Substance Painter and stencils in Photoshop.
Finally rendering done in Blender and Marmoset Toolbag.

Link to the Video given below
https://www.youtube.com/watch?v=Y48aAlaNcw0

Multimeter | 3DS Max | Substance Painter

High Poly Model, 2K texture sets
Modeling done in 3ds Max and then unwrapping in same.
For texturing Substance Painter and stencils in Photoshop.
Finally rendering done in Blender and Marmoset Toolbag.

Link to the Video given below
https://www.youtube.com/watch?v=Y48aAlaNcw0

Multimeter | 3DS Max | Substance Painter

Mission Crossbow Sub - 1
Modeling done in Maya and Texturing done in Keyshot and decals were created using Photoshop.

Mission Crossbow SUB - 1 | Maya | Keyshot

Mission Crossbow Sub - 1
Modeling done in Maya and Texturing done in Keyshot and decals were created using Photoshop.

Mission Crossbow SUB - 1 | Maya | Keyshot

Mission Crossbow Sub - 1
Modeling done in Maya and Texturing done in Keyshot and decals were created using Photoshop.

Mission Crossbow SUB - 1 | Maya | Keyshot

Mission Crossbow Sub - 1
Modeling done in Maya and Texturing done in Keyshot and decals were created using Photoshop.

Mission Crossbow SUB - 1 | Maya | Keyshot

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Educación

B.E. Computer Science

Visvesvaraya Technological University,

India

2013 - 2017

(4 años)

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